Mary Ann Doane’s essay, “Film and the Masquerade: Theorizing the Female Spectator” attempts to answer some of the questions raised by. Type: Chapter; Author(s): Mary Ann Doane; Page start: ; Page end: Is part of Book. Title: The sexual subject: a Screen reader in sexuality; Author(s). Film and the Masquerade: Theorising the Female Spectator Title: Feminist film theory: a reader; Author(s): Sue Thornham; Date: ; Publisher: Edinburgh.
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Setting mwsquerade reading intentions help you organise your course reading. This excess of femininity highlights how femininity is but a hyperbolic gendered performance, not an innate structure.
Film and the Masquerade: Theorising the Female Spectator | Screen | Oxford Academic
She posits three modes for female spectatorship:. Leave a Reply Cancel reply You must be logged in to post a comment. This item appears on List: In accordance with this masculization of woman, the female spectator is often one that assumes more anx masculine spectatorship. Your reading intentions are private to you and will not be shown to other users.
About Media and Commentary Reading Assignments! The choice of extreme close up shots of Clarice intercut with her POV of the men gawking at her establishes a feminine gaze that spectators have no choice but to assume.
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Notes on Mary Ann Doane’s “Film and the Masquerade'”
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So what does Doane offer us? Film distribution in Greece: She can never assume the role of the female spectator without this distance.
You could not be signed in. One one level, underneath the mask can be hidden masculinity that is kept secret by over compensation of femininity. Email required Address never made public. How do I set a reading intention To set a reading intention, click through to any list item, and look for the panel on the left hand side: Please log in to set a read status Setting a reading intention helps you organise your reading.
Citing articles via Web of Science Soviet cinema and the fantasy of no limits. She does this in order ttheorizing downplay her transgression and her castration threat.
Without question, a protagonist like Clarice Sterling exists to always be desired, by the male and female spectator alike.
Have you read this? Here’s an example of what they look like: To set a reading intention, click through to any list item, and look for the panel on the left hand side:. It makes it easy to scan through your lists and keep theorizlng of progress. Here’s an example of what they look like:.
You can filter on reading intentions from the listas well as view them within your profile. Don’t have an account? She is too close to achieve voyeuristic pleasure from gazing at a female object on screen.
She cannot separate herself from the image that represents her. Most users should sign in with their email address. To the male viewer the gaze will feel foreign and invasive, but it will resonate with the female viewer. Youth Cultures and Feminist Politics Previous: To set a reading intention, click through to any list item, and look for the panel on the left hand side:.
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Film and the Masquerade: Theorizing the Female Spectator
A man can partially examine himself and successfully define himself in the realm of his language. Please log in to set a read status. Don’t already masquerwde an Oxford Academic account? Can women be spectators? You are commenting using your WordPress.
The Silence of the Lambs & The Female Spectator – Psychoanalysis and Cinema
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